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2013 Return of "Intimately Wilde" to the Long Beach Playhouse:

Reviews & Features: January 10th - 27th, 2013


Press Release November 26, 2012

AWARD-WINNING DIRECTOR GIGI FUSCO MEESE TO HELM OLIO THEATRE WORKS “INTIMATELY WILDE”
AT 
THE LONG BEACH PLAYHOUSE JANUARY 2013

Local theatre company Olio Theatre Works welcomes award-winning director Gigi Fusco Meese as director when it brings back the timely drama INTIMATELY WILDE  to the Long Beach Playhouse’s Studio Theatre January 11th – 27, 2013 as a part of the 2nd Annual “People’s Theatrical Collaborative”.

In addition to her accomplishment as a theatre director, Ms. Fusco Meese also served as the Managing Director of the Long Beach Playhouse for eight years and now serves as Director of Community/Public Relations for Musical Theatre West, Long Beach’s premiere Broadway musical theatre company. She was also recently elected to the Board of Directors for the Long Beach Arts Council and was the “Distinguished Arts Professional of the Year” recipient from the Arts Council in 2006. Ms. Fusco Meese has directed dozens of productions in theatres across Southern California including the Newport Beach Theatre Arts Center, The Huntington Beach Playhouse, The Long Beach Playhouse and the Costa Mesa Civic Playhouse. Olio Theatre Works is thrilled to be added to this prestigious list.

INTIMATELY WILDE explores contemporary issues concerning art, equality and sexual politics through the unique lens of England’s Victorian age. In the late 19th century, Oscar Wilde, famed poet and playwright, was the central figure in a turbulent love affair with the young and rebellious aristocrat Lord Alfred "Bosie" Douglas, and as a result was thrown into the center of three highly publicized trials during the height of the Victorian era in London.

In the final hours of Wilde’s imprisonment for “gross indecency”, INTIMATELY WILDE examines the choices he made for honor, the destruction of his fragile egg-shell world, and the reality of what one will do when he becomes a "slave to love." But INTIMATELY WILDE is not a story of punishment or regret. Rather, it celebrates the force of Wilde's spirit and his determination to remain true to himself, his art and the two people he cherishes above all else: his wife and his lover.

For the first time since the Los Angeles Premiere in 2009, audiences can explore the passion, wit, struggle and earnestness of one man’s journey to demand freedom of expression in the face of an oppressively conservative society. INTIMATELY WILDE offers a hauntingly contemporary voice of experience from an age when the cost of love was very often one’s entire life.

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Written by Olio Theatre Works  Founder/Artistic Director Terra Taylor Knudson. With direction by Gigi Fusco Meese. Set Design by Timothy P. Thorn. Produced by Olio Theatre Works in association with the 2nd Annual “ Peoples Theatrical Collaborative” of the Long Beach Playhouse.  Featuring: Ryan Michael Harman, Pete Stone, Terra Taylor Knudson and Timothy P. Thorn as “Oscar Wilde”.

Run: January 11 – 27, 2013.  Fridays/Saturdays @ 8:00pm, Sundays @ 2:00pm
Tickets: $22 (Gen Admission)  
CALL: (562) 494-1014, option 1,
BUY Online: http://lbplayhouse.org/box-office 



Press Release November 11, 2012

OTW ANNOUNCES RETURN OF TIMELY “WILDE” PLAY

TO THE LONG BEACH PLAYHOUSE JANUARY 3013

Local theatre company Olio Theatre Works is bringing back its timely drama INTIMATELY WILDE  by Terra Taylor Knudson, to the Long Beach Playhouse’s Studio Theatre January 11th – 27, 2013 as a part of the 2nd Annual “People’s Theatrical Collaborative”.

INTIMATELY WILDE explores contemporary issues concerning art, equality and sexual politics through the unique lens of England’s Victorian age. In the late 19th century, Oscar Wilde, famed poet and playwright, was the central figure in a turbulent love affair with the young and rebellious aristocrat Lord Alfred "Bosie" Douglas, and as a result was thrown into the center of three highly publicized trials during the height of the Victorian era in London.

In the final hours of Wilde’s imprisonment for “gross indecency”, INTIMATELY WILDE examines the choices he made for honor, the destruction of his fragile egg-shell world, and the reality of what one will do when he becomes a "slave to love." But INTIMATELY WILDE is not a story of punishment or regret. Rather, it celebrates the force of Wilde's spirit and his determination to remain true to himself, his art and the two people he cherishes above all else: his wife and his lover.

For the first time since the Los Angeles Premiere in 2009, audiences can explore the passion, wit, struggle and earnestness of one man’s journey to demand freedom of expression in the face of an oppressively conservative society. INTIMATELY WILDE offers a hauntingly contemporary voice of experience from an age when the cost of love was very often one’s entire life.

Written by Olio Theatre Works  Founder/Artistic Director Terra Taylor Knudson. With direction by Gigi Fusco Meese. Set Design by Timothy P. Thorn. Produced by Olio Theatre Works in association with the 2
nd Annual “ Peoples Theatrical Collaborative” of the Long Beach Playhouse.  Featuring: Ryan Michael Harman, Pete Stone, Terra Taylor Knudson and Timothy P. Thorn as “Oscar Wilde”.

Run: January 11 – 27, 2013.  Fridays/Saturdays @ 8:00pm, Sundays @ 2:00pm
Tickets: $22 (Gen Admission)  
CALL: (562) 494-1014, option 1,
BUY Online: http://lbplayhouse.org/box-office


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2012 Production of "Old Black Magic: A Haunted Musical":


"Old Black Magic," Olio Theatre Works, Long Beach, CA

Posted: 10/15/2012 11:50 pm
James Scarborough
For The Huffington Post


That "Old Black Magic" has got me in its spell. The haunted musical one, that is, written and directed by Terra Taylor Knudson, with music and lyrics by Knudson, Lauren Nave, and Andy Zacharias, and produced by Olio Theatre Works at the Found Theatre.

It takes place on the night of the Devil's Moon, so called because the tips of a waxing moon resemble devil horns. It's set in the Bayou St. John, a purgatory speakeasy in the gothic nether world (Think Anne Rice) of Louisiana. There the spirits of the dead, through the medium of Voodoo Queen Marie Laveau (Stephanie Thomas), can vacate limbo, provided they cast away a particular piece of emotional baggage. If this production's any indication, limbo's like a dive bar: a rollicking, honky-tonk place peopled with disreputable but oh-so-interesting types. Why the hell would anyone want to leave?

Like any good dive bar, limbo does not discriminate. The rich, the poor, the famous, the not-so-famous. They're all there. Two of them - John Barrymore (Tim Thorn) and Jayne Mansfield (Knudson) are actors. One's an architect - Stanford White (Pete Stone). Two are businesspeople - Harry K. Thaw (John Schwendinger), the guy that killed White, and Josie Arlington (Lauren Nave), the local madam. One's a writer - Edgar Allen Poe (John Sturgeon). And let's not forget waitress Judy (Amy Newman), acting student Caroline (JoAnna Hubbard), Evelyn Nesbit (Rachel Baumsten), the third side of the White/Thaw love triangle, and Chelsea Camille, the speakeasy's Hostess.


The production offers a welcome reprieve from the getting-tedious vampire-werewolf-ghost genre. It has a smart script, killer songs (three of them - "High Life", "The House that Josie Built", and "One Night, One Chance" - are exquisite.), and performances to die for. Any one of the characters could have stolen the show. Each was willful, self-indulgent, and well, they ended up in limbo, didn't they? It's to Knudson's credit that she could meld this legion of murderers, adulterers, lushes, and fornicators into a taut and balanced ensemble effort. Nave's embittered Josie (Think Jeannie C. Riley singing "Harper Valley PTA."); Thorn's lascivious Barrymore; Stone's adulterous White; Schwendinger's vengeful Thaw; Sturgeon's incestuous Poe; Thomas' Elvira-esque Marie, Baumsten's Cleopatra-
esque Nesbit, and Knudson's kitten-esque Mansfield.

This Halloween, if you want to leave the the tricking and treating to more energetic souls; if you want something that's original, with a good story, keen performances, and fantastic songs, then look no further than "Old Black Magic." See it and decide if you agree with Billy Joel, who once crooned: "I'd rather laugh with the sinners than cry with the saints. The sinners are much more fun..."

Performances are 8pm, Friday and Saturday, 2pm, Sunday. The show runs until Otober 28. Tickets are $15. The Found Theatre is located at 599 Long Beach Boulevard. For more information, visit www.oliotheatreworks.org.
 http://www.huffingtonpost.com/james-scarborough/old-black-magic-olio-thea_b_1968973.html?utm_hp_ref=fb&src=sp&comm_ref=false



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Praise for "Bardy Women: Wild Women of Shakespeare's Life & Times" & Educator Terra Taylor Knudson

I just wanted to let you know what an extraordinary experience we had this evening with Terra’s performance. It was wonderful! You may be interested to know that it was standing room only – 137 in attendance! A local teacher gave the program as an assignment, which accounted for nearly 80 high school students in the audience. But it was amazing how quiet and interested they were with the performance. 

At some point, I really want to have Terra back. It was a smash! 

Regards, 

Louise Paziak 
Programs & Publicity 
Burbank Public Library 


Who knew that Shakespeare and history could be so much fun? Your presentation of Bardy Women at the Fort Lupton Public & School Library for our 3 for Lunch program on March 21, 2012 was excellent. As I mentioned in my introduction we had been looking forward to having you for a few months. You attracted a larger than usual audience. Your ability to take a time frame and explain it historically was excellent. The pieces you performed were dramatic and left everyone wanting more. I had a few people who wanted to come and because of commitments were unable so they are most interested to know when and where you will be performing in Colorado in the future. My only disappointment was that we didn't have any of our classes there as I know they would have really gotten so much out of it. It is readily apparent that this is your passion and the audience is blessed to be able to learn from you. The Fort Lupton Public & School Library would be honored to have you return. 

Sincerely, 
Linda Chandler 
High School/Adult Outreach Librarian 
Fort Lupton Public & School Library
 


Terra was very thorough, confident, showed true professionalism with myself, my Branch Manager, our staff and most of all the teens. They had a magnificent time that was worth every moment. So much so that those girls that had to miss the last day, they for the most part had attended all the previous meetings, they were almost in tears. As a group, they overwhelmingly wanted Terra to return and share her expertise in all things related to the theater. 

Julie Fitch 
Teen Librarian 
OC Public Libraries 
Rancho Santa Margarita Library



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2012 Rockin' Shakespeare in the Park: A Midsummer Night's Dream (With the Anaheim Performing Arts Center Foundation)

Aliso Laguna News
by Susan Espenschield
August 7, 2010


APAC Foundation Serves Up New Adaptation of a Shakespeare
Classic as its debut Community Outreach Event

Anaheim, CA – Linda Knohl, president of the Anaheim Performing Arts Center Foundation
is proud to announce its first family‐friendly show at the majestic Pearson Park in Anaheim.

“The APAC Foundation is pleased to announce its first production in the city of Anaheim. After years of intense work and dedication, we finally achieved a milestone in presenting to our area a musical theater production of outstanding quality and free to everyone! The APAC Foundation continues to work with the city of Anaheim to establish our own Performing Arts Center. It is our fervent hope that this production shall be the first of many.”Rockin’ Shakespeare in the Park ‐ A Midsummer Night’ Dream will be rockin’ the Pearson Park Amphitheatre with a nod to all things ’50s and rock and roll. This new adaptation is the first offering to the Anaheim community by APAC Foundation and will be free to the public.

The Anaheim Performing Arts Center Foundation (APAC), whose primary purpose is to establish and maintain a performing arts center in the City of Anaheim, is pleased to be able to offer this show to the public its first Educational Community Outreach Program.

There will be a whole lot of ”ShakespearIn Goin’ On” in this production which is written and directed by Long Beach resident Terra Knudson Taylor. Terra, a long‐time actor and director is the Executive Director of Olio Theatre Works who has collaborated with APAC Foundation for this event.

"Olio Theatre Works is excited to work with the APAC Foundation in support of their mission for a cultural arts center in Anaheim. There is no better time to support the arts and no better city! With the combination of music, dance, theatre and educational outreach, the APAC Foundation will provide Anaheim with a much needed cultural outreach to a city that already supports the best in entertainment and sports in Southern California. Olio Theatre Works is honored to participate in making that vision a reality."

The production, free to the public, will showcase dancers from the Anaheim Ballet, musicians from the Orange County Symphony, actors from the Olio Theatre Works repertory and feature kids from the Boys and Girls Club of Anaheim. The youngsters will have the opportunity to work with professional actors, choreographers and musicians on songs, dances and the adapted Shakespearean text to transform “ Midsummer Night’ Dream”into a performance that will light up the stage at the Pearson Park Amphitheater for three performances.

The performances will be on Friday, September 10th and Saturday, September 11th at 8:00PM and on Sunday, September 12th at 7:00PM. Admission is free. First Come‐ First Serve seating.

With the beauty of Shakespeare’ language and the sock‐hop fun of the 1950’s, the community of Anaheim will be whisked away into an experience that is sure to entertain while it introduces a new generation of performers and theatergoers to the classics, proving that Shakespeare is not only
accessible but as relevant today as when it was first written.

A Midsummer Night’ Dream performs September 10, 11 and 12th at the beautiful Pearson Park Amphitheatre located on Lemon and Sycamore Streets in Anaheim. Admission is free. For more information contact Terra Taylor Knudson 310‐266‐3872


Rockin' Shakespeare in the Park

From the Anaheim Performing Arts Center Foundation Website
2012

In September of 2010, APACF burst onto the scene when it collaborated with Olio Theatre Company and Anaheim’s Pearson Park to present; Rockin’ Shakespeare: A Midsummer Night’s Dream – adapted and directed by APACF Board Member and OTW Founder; Terra Taylor Knudson. This unique blend of the Bard and 50s Rock and Roll was the inaugural APACF presentation to the community of Anaheim and featured all three of its major components: theatre, ballet and music. The rockin’ tribute to Elvis and Lucille Ball also introduced a new partnership with the Anaheim Boys & Girls Club, a relationship APACF looks forward to developing in the future. Nearly 1000 residents and families attended this three-night, free summer extravaganza and were treated to a little taste of the magic APACF has to offer. This production also served to kick start APACF’s plans for an educational youth outreach program which will offer instruction and exposure to the arts, as well as future productions like Midsummer, offered free to the community!
http://www.apacf.org/rockin-shakespeare-in-the-park/

The Orange County Register
by Richard Chang
September 9, 2010

You've probably seen Shakespeare, perhaps in the park. But you've never seen Shakespeare like this.

The Anaheim Performing Arts Center Foundation is presenting "Rockin' Shakespeare in the Park – A Midsummer Night's Dream" Friday through Sunday at Pearson Park Amphitheatre in Anaheim. All performances are free. This new adaptation of William Shakespeare's classic comedy will incorporate 1950s rock 'n' roll songs, costumes and culture, while still preserving the Bard's language. The production is a collaboration among the Anaheim Ballet, musicians from the Orange County Symphony, actors from Olio Theatre Works Repertory and kids from the boys and Girls Club from Anaheim.

This weekend's outdoor show is also the first public presentation by the Anaheim Performing Arts Center Foundation, which seeks to build a multi-faceted performing arts center in Anaheim. The show is intended to help publicize the foundation's cause. "Although we are delighted and proud to have Disney, the convention center, the sports venues that we offer, a city of our size and repute should have its own performing arts center," said Linda Knohl, president of the Anaheim Performing Arts Center Foundation, which formed as a nonprofit organization in 2007. "The Orange County Symphony doesn't have a venue where they can perform. A (performing arts) center has been a big dream of mine for more than three years."

Although the foundation does not have a property selected yet, it has been working with Anaheim's city council to pick a suitable location. The foundation has also been in discussions with architects, planners and Anaheim arts organizations. Knohl estimated that the cost of a performing arts building would be between $35 million and $50 million. While the Orange County Performing Arts Center in Costa Mesa offers many fine performances, she said, the people of north Orange County need a comparable venue. "We feel that it's too far south," Knohl said of the 24-year-old Costa Mesa institution. "Anaheim is very well known throughout the entire nation. There's no reason we shouldn't have one."

"Rockin' Shakespeare in the Park" was written and directed by Long Beach resident Terra Taylor Knudson. A longtime actor and director, Taylor Knudson is executive director of Olio Theatre Works – an independent, nonprofit theater company based in Long Beach. Taylor Knudson said Knohl and the foundation knew of her work as an educator and in educational theater. "They were interested in doing a production for the community and wanted to have a coming-out party. Knowing the kind of work that we do, and the team that I have, they asked me to do something so we could all work together."

The free performances will combine 1950s sock-hop fun with Shakespeare's late-1500s iambic pentameter. Real-life characters from the late '50s will make cameos, including Lucille Ball, Troy Donohue and Annette Funicello. A rock band will perform '50s classics, such as "Hound Dog," "Rockin' Robin" and "Great Balls of Fire." Anaheim Ballet dancers will play fairies.

http://www.ocregister.com/articles/anaheim-265842-arts-center.html

park-anaheim-publicize-dr

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2009 Los Angeles Premiere: "Intimately Wilde"

Wonderfully Wilde!

by ahiddensun on Tuesday, Sep 1st, 2009

This was a truly unforgettable play. Tim Thorns p
erformance as the tortured Oscar Wilde, fighting for his freedom and more notably his pride, is absolutely heart-wrenching. I found myself in tears at the end of the show a feat rarely achieved on me and sitting in my seat well past lights-up, attempting to collect myself. Terra Taylor-Knudsons writing is perfectly on-key, honoring Wilde without pushing the envelope too far or doing any disservice to his unique voice. The authoress clearly knew that the story spoke for itself, without the need of too much editorializing. Thomas Colby delivers a charming performance as Oscars beloved friend who is coming to terms with Oscars emerging secret a barely concealed sexuality shut behind the doors of the ages sexual mores. His inner struggle is clear and pointed, but never over-stated. A supporting cast round out this wonderful play with ideal timing and characterization, making this show a sheer joy to behold... or a sheer terror, when one considers that this devastating story is true. In this historical age of legislative discrimination against same-sex couples, the steady but never condescending tone of this morality play is more welcome and needed than ever. I saw it twice. Id see it again. Go.
http://www.theatermania.com/los-angeles-theater/shows/intimately-wilde_157852/reviews/


LA Stage Times - Feature Article
by Janet Thielke
August 11, 2009

Though the play’s process would take years, the inspiration for Intimately Wilde came to writer/director Terra Taylor Knudson literally wrapped in a bow. “It was written for my best friend, Tim Thorn,” begins Knudson. One Christmas while with Thorn, “he gave me a beautiful journal and on the inside wrote a lovely inscription…and then wrote ‘p.s. I hope you don’t mind, I took the liberty of starting your journal for you.’ So I turn it over and it says, ‘Ideas for Tim’s one man show.’”

Once the laughter had died down, however, the idea remained. “I started thinking, Tim’s an incredibly talented actor but up to that point I had only known him to do things he could do kind of easily. I wanted to see what would happen if he got pushed to his professional limit.” She began experimenting with ways to push her talented friend emotionally. “To me, the most emotional place is when you’re backed up against a corner and you have no choice but to change, to break through something.”

She found herself drawn to a familiar figure, one backed into a physical and literal corner for being a gay man when it was not only taboo but illegal. “It was one of those things where divine intervention and instinct come together and I thought: Oscar Wilde.”

Oscar Wilde — famous poet, playwright and personality — was imprisoned for two years after being found guilty of having a relationship with a Lord Alfred “Boise” Douglas. During Wilde’s imprisonment, he lost everything: his reputation, his career, his wealth. Even his wife Constance, with whom he had a loving if not romantic relationship, was persuaded to leave him with their children. Two years after he was released from prison, Wilde passed away.

“I started researching and immediately I was hooked,” says Knudson. “By his story, by the truth of what he had gone through.”

The play is set within the last 24 hours of imprisonment, using flashbacks and transcripts from the trial. “The audience is brought into the cell with [Wilde] while he goes back and looks over the previous three or four years and the trails. Specifically what he is working out in this story is the dynamic he had with loving his wife, who he was in love with but not romantically, and the love that he found with his male lover. The trying relationship of being pulled between two worlds and not being able to be who he was in either of them.”

Knudson, who plays Constance to Thorn’s Wilde, believes she or Thorn could easily have found themselves in Wilde’s situation had they lived in the same historical era and been forced to make the same hard decisions. “I wrote it as a tribute to what it must be to an openly gay man living in a world where that’s not acceptable. But once I started writing it, I realized there were more stories than just that. There’s also the story of being a wife, married to somebody who was the ultimate of unavailable but loving him, and what social masks she was willing to wear. I was interested in telling a story about human beings in extraordinary circumstances so none of them are the bad guys. I believe most people are just doing the best they can.”

Knudson and her actors also see a modern day parallel to the play in the need for gay rights. In particular, the right for marriage equality and the continued effort to repeal proposition 8. Knudson hopes the issues brought up in the play will lead to community discussion and awareness. “It doesn’t matter where someone stands on the line of equality,” she says. “It’s an important dialogue. I really believe that by having people come and experience this, we can try to find a middle ground so everyone truly has equal rights.”

To demonstrate their social and political commitment to this dialogue, Olio Theatre Works has agreed to contribute to the California Courage Campaign. “We have pledged and are very excited about donating a portion of the ticket profits from the entire run of the show back to the Courage Campaign.” The Campaign not only supports marriage equality but other progressive legislature in the state of California. “For me the show is not just about gay rights but more about human rights and general equality.”

And did she succeed in her quest to challenge her dear and talented friend Tim Thorn? Knudson describes the moment she showed Thorn the play for the first time: “I gave Tim the first four pages, which was literally one monologue four pages long. He was like, (Knudson demonstrates with an awed pause) ‘This is good.’ And then he’s like, (Knudson performs another pause, now with apparent terror) ‘Damn. This is a lot of lines.’”

A challenge his writer, director, co-star and friend believes he will rise to. To Knudson, everything about Olio Theatre Works is “an absolute joy. It’s a real gift to be able to not only do what I love but to do it with my favorite people and some of the most talented people I’ve ever known.”

http://www.lastagetimes.com/2009/08/knudson-pursues-political-dialogue-with-intimately-wilde/


Backstage Review
by Neal Weaver
September 2, 2009
(Excerpts) 

"Writer-director Terra Taylor Knudson sets out to dramatize this fascinating tale. One can't quarrel with her decisions to simplify it ...quite capably written...The production is competent and the actors capably perform the roles written for them. She (Taylor Knudson) gives us the familiar highlights of the three infamous trials, sketches in the relationship between Wilde and Bosie, and suggests the tensions between Wilde and his long-suffering wife, Constance. Thorn suggests Wilde's outrageousness and urbanity, despite an overly romantic wig, and Hartman captures Bosie's arrogant, obnoxious charm. Taylor Knudson provides a solid portrait of the wronged wife."





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Olio Theatre Works said:   August 31, 2012 6:18 pm PST
Dear Nick, Thank you so much for your interest in Olio Theatre Works! We do have a "secret location", which we could tell you but...it's a secret. In fact, we do not have our own theatre yet so we perform at various venues including local theatres, restaurants, parks, amphitheaters, parties, churches and more! Each new venue gives us a unique opportunity to play with the conventions of traditional theatre & interact with audiences in inventive & creative ways. We're thrilled this year that our next production; "Old Black Magic: A Haunted Musical", will be performed at a local Long Beach, CA theatre: The Found, which has been a Long Beach institution for over 37 years! And in January 2013, we will bring our original Victorian drama: "Intimately Wilde", to the Long Beach Playhouse. For more info on either of these productions, please visit the OTW Home Page: www.oliotheatreworks.org. We hope you will stay in touch, and join us at future event. In the meantime, thank you again for your interest! Sincerely, OTW Staff Stay In The Loop: "Like Us" on Facebook & Twitter: https://www.facebook.com/pages/Olio-Theatre-Works/110961598924051?ref=hl https://twitter.com/TTKOTW

Nick Fontaine said:   August 31, 2012 5:41 pm PST
When next I'm in SoCal and I wanna come see one of your productions, where would I go? Or, is your location a secret? I highly recommend placing a location/map link on your website! (^: Good Luck!

Terra said:   July 22, 2012 11:34 am PST
The Definition of being is "Artistic" is: "Having or revealing natural creative skill." Everyone has an artistic expression in the world. What is yours? Tell us here:

Ryan said:   April 24, 2012 5:01 pm PST
I love the website changes---great job so far!!!! And when can I purchase that new CD RAW TERRAIN??? Can't wait :-)

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