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AWARD-WINNING DIRECTOR GIGI FUSCO MEESE TO HELM OLIO THEATRE WORKS “INTIMATELY WILDE”
AT THE LONG BEACH PLAYHOUSE JANUARY 2013
Local theatre company Olio Theatre Works welcomes award-winning director Gigi Fusco Meese as director when it brings back the timely drama INTIMATELY WILDE to the Long Beach Playhouse’s Studio Theatre January 11th – 27, 2013 as a part of the 2nd Annual “People’s Theatrical Collaborative”.
In addition to her accomplishment as a theatre director, Ms. Fusco Meese also served as the Managing Director of the Long Beach Playhouse for eight years and now serves as Director of Community/Public Relations for Musical Theatre West, Long Beach’s premiere Broadway musical theatre company. She was also recently elected to the Board of Directors for the Long Beach Arts Council and was the “Distinguished Arts Professional of the Year” recipient from the Arts Council in 2006. Ms. Fusco Meese has directed dozens of productions in theatres across Southern California including the Newport Beach Theatre Arts Center, The Huntington Beach Playhouse, The Long Beach Playhouse and the Costa Mesa Civic Playhouse. Olio Theatre Works is thrilled to be added to this prestigious list.
INTIMATELY WILDE explores contemporary issues concerning art, equality and sexual politics through the unique lens of England’s Victorian age. In the late 19th century, Oscar Wilde, famed poet and playwright, was the central figure in a turbulent love affair with the young and rebellious aristocrat Lord Alfred "Bosie" Douglas, and as a result was thrown into the center of three highly publicized trials during the height of the Victorian era in London.
In the final hours of Wilde’s imprisonment for “gross indecency”, INTIMATELY WILDE examines the choices he made for honor, the destruction of his fragile egg-shell world, and the reality of what one will do when he becomes a "slave to love." But INTIMATELY WILDE is not a story of punishment or regret. Rather, it celebrates the force of Wilde's spirit and his determination to remain true to himself, his art and the two people he cherishes above all else: his wife and his lover.
For the first time since the Los Angeles Premiere in 2009, audiences can explore the passion, wit, struggle and earnestness of one man’s journey to demand freedom of expression in the face of an oppressively conservative society. INTIMATELY WILDE offers a hauntingly contemporary voice of experience from an age when the cost of love was very often one’s entire life.
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Written by Olio Theatre Works Founder/Artistic Director Terra Taylor Knudson. With direction by Gigi Fusco Meese. Set Design by Timothy P. Thorn. Produced by Olio Theatre Works in association with the 2nd Annual “ Peoples Theatrical Collaborative” of the Long Beach Playhouse. Featuring: Ryan Michael Harman, Pete Stone, Terra Taylor Knudson and Timothy P. Thorn as “Oscar Wilde”.
Run: January 11 – 27, 2013. Fridays/Saturdays @ 8:00pm, Sundays @ 2:00pmOTW ANNOUNCES RETURN OF TIMELY “WILDE” PLAY
TO THE LONG BEACH PLAYHOUSE JANUARY 3013
Local theatre company Olio Theatre Works is bringing back its timely drama INTIMATELY WILDE by Terra Taylor Knudson, to the Long Beach Playhouse’s Studio Theatre January 11th – 27, 2013 as a part of the 2nd Annual “People’s Theatrical Collaborative”.
INTIMATELY WILDE explores contemporary issues concerning art, equality and sexual politics through the unique lens of England’s Victorian age. In the late 19th century, Oscar Wilde, famed poet and playwright, was the central figure in a turbulent love affair with the young and rebellious aristocrat Lord Alfred "Bosie" Douglas, and as a result was thrown into the center of three highly publicized trials during the height of the Victorian era in London.
In the final hours of Wilde’s imprisonment for “gross indecency”, INTIMATELY WILDE examines the choices he made for honor, the destruction of his fragile egg-shell world, and the reality of what one will do when he becomes a "slave to love." But INTIMATELY WILDE is not a story of punishment or regret. Rather, it celebrates the force of Wilde's spirit and his determination to remain true to himself, his art and the two people he cherishes above all else: his wife and his lover.
For the first time since the Los Angeles Premiere in 2009, audiences can explore the passion, wit, struggle and earnestness of one man’s journey to demand freedom of expression in the face of an oppressively conservative society. INTIMATELY WILDE offers a hauntingly contemporary voice of experience from an age when the cost of love was very often one’s entire life.
Written by Olio Theatre Works Founder/Artistic Director Terra Taylor Knudson. With direction by Gigi Fusco Meese. Set Design by Timothy P. Thorn. Produced by Olio Theatre Works in association with the 2nd Annual “ Peoples Theatrical Collaborative” of the Long Beach Playhouse. Featuring: Ryan Michael Harman, Pete Stone, Terra Taylor Knudson and Timothy P. Thorn as “Oscar Wilde”.
Run: January 11 – 27, 2013. Fridays/Saturdays @ 8:00pm, Sundays @ 2:00pm
Tickets: $22 (Gen Admission)
CALL: (562) 494-1014, option 1,
BUY Online: http://lbplayhouse.org/box-office

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2012 Production of "Old Black Magic: A Haunted Musical":

APAC Foundation Serves Up New Adaptation of a Shakespeare
Classic as its debut Community Outreach Event
Anaheim, CA – Linda Knohl, president of the Anaheim Performing Arts Center Foundation
is proud to announce its first family‐friendly show at the majestic Pearson Park in Anaheim.
“The APAC Foundation is pleased to announce its first production in the city of Anaheim. After years of intense work and dedication, we finally achieved a milestone in presenting to our area a musical theater production of outstanding quality and free to everyone! The APAC Foundation continues to work with the city of Anaheim to establish our own Performing Arts Center. It is our fervent hope that this production shall be the first of many.”Rockin’ Shakespeare in the Park ‐ A Midsummer Night’ Dream will be rockin’ the Pearson Park Amphitheatre with a nod to all things ’50s and rock and roll. This new adaptation is the first offering to the Anaheim community by APAC Foundation and will be free to the public.
The Anaheim Performing Arts Center Foundation (APAC), whose primary purpose is to establish and maintain a performing arts center in the City of Anaheim, is pleased to be able to offer this show to the public its first Educational Community Outreach Program.
There will be a whole lot of ”ShakespearIn Goin’ On” in this production which is written and directed by Long Beach resident Terra Knudson Taylor. Terra, a long‐time actor and director is the Executive Director of Olio Theatre Works who has collaborated with APAC Foundation for this event.
"Olio Theatre Works is excited to work with the APAC Foundation in support of their mission for a cultural arts center in Anaheim. There is no better time to support the arts and no better city! With the combination of music, dance, theatre and educational outreach, the APAC Foundation will provide Anaheim with a much needed cultural outreach to a city that already supports the best in entertainment and sports in Southern California. Olio Theatre Works is honored to participate in making that vision a reality."
The production, free to the public, will showcase dancers from the Anaheim Ballet, musicians from the Orange County Symphony, actors from the Olio Theatre Works repertory and feature kids from the Boys and Girls Club of Anaheim. The youngsters will have the opportunity to work with professional actors, choreographers and musicians on songs, dances and the adapted Shakespearean text to transform “ Midsummer Night’ Dream”into a performance that will light up the stage at the Pearson Park Amphitheater for three performances.
The performances will be on Friday, September 10th and Saturday, September 11th at 8:00PM and on Sunday, September 12th at 7:00PM. Admission is free. First Come‐ First Serve seating.
With the beauty of Shakespeare’ language and the sock‐hop fun of the 1950’s, the community of Anaheim will be whisked away into an experience that is sure to entertain while it introduces a new generation of performers and theatergoers to the classics, proving that Shakespeare is not only
accessible but as relevant today as when it was first written.
A Midsummer Night’ Dream performs September 10, 11 and 12th at the beautiful Pearson Park Amphitheatre located on Lemon and Sycamore Streets in Anaheim. Admission is free. For more information contact Terra Taylor Knudson 310‐266‐3872
You've probably seen Shakespeare, perhaps in the park. But you've never seen Shakespeare like this.
The Anaheim Performing Arts Center Foundation is presenting "Rockin' Shakespeare in the Park – A Midsummer Night's Dream" Friday through Sunday at Pearson Park Amphitheatre in Anaheim. All performances are free. This new adaptation of William Shakespeare's classic comedy will incorporate 1950s rock 'n' roll songs, costumes and culture, while still preserving the Bard's language. The production is a collaboration among the Anaheim Ballet, musicians from the Orange County Symphony, actors from Olio Theatre Works Repertory and kids from the boys and Girls Club from Anaheim.
This weekend's outdoor show is also the first public presentation by the Anaheim Performing Arts Center Foundation, which seeks to build a multi-faceted performing arts center in Anaheim. The show is intended to help publicize the foundation's cause. "Although we are delighted and proud to have Disney, the convention center, the sports venues that we offer, a city of our size and repute should have its own performing arts center," said Linda Knohl, president of the Anaheim Performing Arts Center Foundation, which formed as a nonprofit organization in 2007. "The Orange County Symphony doesn't have a venue where they can perform. A (performing arts) center has been a big dream of mine for more than three years."
Although the foundation does not have a property selected yet, it has been working with Anaheim's city council to pick a suitable location. The foundation has also been in discussions with architects, planners and Anaheim arts organizations. Knohl estimated that the cost of a performing arts building would be between $35 million and $50 million. While the Orange County Performing Arts Center in Costa Mesa offers many fine performances, she said, the people of north Orange County need a comparable venue. "We feel that it's too far south," Knohl said of the 24-year-old Costa Mesa institution. "Anaheim is very well known throughout the entire nation. There's no reason we shouldn't have one."
"Rockin' Shakespeare in the Park" was written and directed by Long Beach resident Terra Taylor Knudson. A longtime actor and director, Taylor Knudson is executive director of Olio Theatre Works – an independent, nonprofit theater company based in Long Beach. Taylor Knudson said Knohl and the foundation knew of her work as an educator and in educational theater. "They were interested in doing a production for the community and wanted to have a coming-out party. Knowing the kind of work that we do, and the team that I have, they asked me to do something so we could all work together."
The free performances will combine 1950s sock-hop fun with Shakespeare's late-1500s iambic pentameter. Real-life characters from the late '50s will make cameos, including Lucille Ball, Troy Donohue and Annette Funicello. A rock band will perform '50s classics, such as "Hound Dog," "Rockin' Robin" and "Great Balls of Fire." Anaheim Ballet dancers will play fairies.
http://www.ocregister.com/articles/anaheim-265842-arts-center.html
Once the laughter had died down, however, the idea remained. “I started thinking, Tim’s an incredibly talented actor but up to that point I had only known him to do things he could do kind of easily. I wanted to see what would happen if he got pushed to his professional limit.” She began experimenting with ways to push her talented friend emotionally. “To me, the most emotional place is when you’re backed up against a corner and you have no choice but to change, to break through something.”
She found herself drawn to a familiar figure, one backed into a physical and literal corner for being a gay man when it was not only taboo but illegal. “It was one of those things where divine intervention and instinct come together and I thought: Oscar Wilde.”
Oscar Wilde — famous poet, playwright and personality — was imprisoned for two years after being found guilty of having a relationship with a Lord Alfred “Boise” Douglas. During Wilde’s imprisonment, he lost everything: his reputation, his career, his wealth. Even his wife Constance, with whom he had a loving if not romantic relationship, was persuaded to leave him with their children. Two years after he was released from prison, Wilde passed away.
“I started researching and immediately I was hooked,” says Knudson. “By his story, by the truth of what he had gone through.”
The play is set within the last 24 hours of imprisonment, using flashbacks and transcripts from the trial. “The audience is brought into the cell with [Wilde] while he goes back and looks over the previous three or four years and the trails. Specifically what he is working out in this story is the dynamic he had with loving his wife, who he was in love with but not romantically, and the love that he found with his male lover. The trying relationship of being pulled between two worlds and not being able to be who he was in either of them.”
Knudson, who plays Constance to Thorn’s Wilde, believes she or Thorn could easily have found themselves in Wilde’s situation had they lived in the same historical era and been forced to make the same hard decisions. “I wrote it as a tribute to what it must be to an openly gay man living in a world where that’s not acceptable. But once I started writing it, I realized there were more stories than just that. There’s also the story of being a wife, married to somebody who was the ultimate of unavailable but loving him, and what social masks she was willing to wear. I was interested in telling a story about human beings in extraordinary circumstances so none of them are the bad guys. I believe most people are just doing the best they can.”
Knudson and her actors also see a modern day parallel to the play in the need for gay rights. In particular, the right for marriage equality and the continued effort to repeal proposition 8. Knudson hopes the issues brought up in the play will lead to community discussion and awareness. “It doesn’t matter where someone stands on the line of equality,” she says. “It’s an important dialogue. I really believe that by having people come and experience this, we can try to find a middle ground so everyone truly has equal rights.”
To demonstrate their social and political commitment to this dialogue, Olio Theatre Works has agreed to contribute to the California Courage Campaign. “We have pledged and are very excited about donating a portion of the ticket profits from the entire run of the show back to the Courage Campaign.” The Campaign not only supports marriage equality but other progressive legislature in the state of California. “For me the show is not just about gay rights but more about human rights and general equality.”
And did she succeed in her quest to challenge her dear and talented friend Tim Thorn? Knudson describes the moment she showed Thorn the play for the first time: “I gave Tim the first four pages, which was literally one monologue four pages long. He was like, (Knudson demonstrates with an awed pause) ‘This is good.’ And then he’s like, (Knudson performs another pause, now with apparent terror) ‘Damn. This is a lot of lines.’”
A challenge his writer, director, co-star and friend believes he will rise to. To Knudson, everything about Olio Theatre Works is “an absolute joy. It’s a real gift to be able to not only do what I love but to do it with my favorite people and some of the most talented people I’ve ever known.”
http://www.lastagetimes.com/2009/08/knudson-pursues-political-dialogue-with-intimately-wilde/